A
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Abd El Azim, Marwa
Decoding the Undecoded: Sexist Ideology in Sherry Argov’s Why Men Love Bitches? [Volume 1, Issue 1, 2019, Pages 327-343]
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Abd Elhafeez, Ne’am
Staging Absence: Postdramatic Aesthetics in Martin Crimp’s Attempts on Her Life (1997/2007) & Rabie Mroué and Linah Saneh’s 33 Rpm and Few Seconds (2013) [Volume 5, Issue 1, 2023, Pages 62-77]
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Abdel Meguid, Rania
The Spectre of Fear in the Dystopia of The Hunger Games: An Analysis of the Linguistic Indicators of Point of View [Volume 2, Issue 1, 2020, Pages 152-169]
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Abdel Meguid, Rania
An Investigation of Sexism in Egyptian Colloquial Arabic in Khaled Al-Khamissi’s Taxi: A Feminist Stylistic Analysis [Volume 3, Issue 1, 2021, Pages 197-219]
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Abdelraheim Ibrahim Alkady, Heba
Impoliteness, Mock-Impoliteness and Underpoliteness Strategies in Abla Fahita’s TV Show [Volume 1, Issue 1, 2019, Pages 301-326]
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AbdelRahman, Fadwa
Caught in Circular Time: Spatiotemporal Narrative Concerns in Cloum McCann’s Let the Great World Spin [Volume 1, Issue 1, 2019, Pages 32-47]
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Abdulaal, Lamiaa
The Post-postmodern Reconstruction of Human Values in Karen Russell's "Vampire in the Lemon Grove," A. J. Finn's Woman in the Window, and Dave Eggers's The Circle [Volume 4, Issue 1, 2022, Pages 190-205]
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Abuelwafa, Marwa
The Representation of Terrorists in Egyptian Cinema: A Conversation Analysis of Al-Irhaby (The Terrorist) [Volume 3, Issue 1, 2021, Pages 140-156]
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Adel, Lubna
A Tale of Two Revolutions: A Discourse Historical Analysis (DHA) of Selected Political Speeches during the Arab Spring of the Egyptian and Lebanese Revolutions [Volume 2, Issue 1, 2020, Pages 117-134]
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Ahmad Alghamdi, Naimah
A Sociolinguistic Study of Religious-Based Proverbs in Al-Bahah Province [Volume 1, Issue 1, 2019, Pages 357-384]
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Ahmed, Mervat
The ‘Megxit’ in British and American Headlines: A Critical Discourse Analysis [Volume 2, Issue 1, 2020, Pages 135-151]
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Ahmed, Mervat M.
De-Legitimating the Russian War in Ukraine in US President Biden’s Speeches: A Critical Discourse Analysis [Volume 5, Issue 1, 2023, Pages 133-149]
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Ahmed, Mervat M.
How Do You Promote Tourism during the Outbreak of a Pandemic? A Multimodal Discourse Analysis of Egypt’s 2020 Tourism Promotional Film [Volume 4, Issue 1, 2022, Pages 62-79]
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Ahmed Ibrahim Gomaa, Nermine
Frame Narrative Technique: Paralleled Heterotopias in Mohamed Rageh's A Quarter Citizen [Volume 1, Issue 1, 2019, Pages 105-120]
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Alansary, Abdulhamid Aly
Empowering Nature and Women: Ecofeminist Analysis of Atwood's The Edible Woman and Watson's Tiny Sunbirds Faraway [Volume 6, Issue 1, 2023, Pages 40-57]
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Ali Allam, Rania Abdel baky
Quality Assessment of Interlingual YouTube Auto-generated Closed Captions in Some Crime Narratives Applying the NTR Model [Volume 6, Issue 1, 2023, Pages 58-82]
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Ali Mahmoud, Nahid
Thought Presentation in Nicholas Sparks' The Guardian: A Stylistic Analysis [Volume 1, Issue 1, 2019, Pages 344-356]
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AlKhayat, Marwa
Celtic Myths in Cartoon Saloon's The Secret of Kells (2009) and Song of the Sea (2014): A Critique of Irish Postcolonial Animation [Volume 2, Issue 1, 2020, Pages 40-62]
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AlKhayat, Marwa
Cities in Life-Writing Narratives: A Geocritical Reading of Hadiya Hussein's Beyond Love (2003) and Radwa Ashur's Al-Tantouria (2010) [Volume 3, Issue 1, 2021, Pages 47-75]
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Al-Shaikh, Mona
Norway Massacre: Theatricalized Terror-Spectacles of Ideological Propaganda [Volume 2, Issue 1, 2020, Pages 63-81]
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Amer, Nehal
I’ll Make an American Out of You: Reflections on the Orientalism of Disney’s Mulan (1998) [Volume 4, Issue 1, 2022, Pages 206-220]
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Amer, Nehal
The Search for Sincerity in the Contemporary Metamodern Sitcom BoJack Horseman (2014-2020) [Volume 5, Issue 1, 2023, Pages 93-108]
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Amin, Mohamed
An Objective Quality Assessment of English into Arabic Translation: An Analysis of Interpersonal Metafunction [Volume 5, Issue 1, 2023, Pages 202-221]
B
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Bayoumy, Heidi
Who is Telling the Tale? A Narratological Reading of the Roles of the Narrators in Lemony Snicket’s A Series of Unfortunate Events and Qarun [Volume 1, Issue 1, 2019, Pages 48-63]
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Bromley, Roger
“Immigrants are Stripping Europe of its Culture”: the Far Right narrative of Europe and Two Migrant Responses [Volume 1, Issue 1, 2019, Pages 17-31]
C
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Classen, Albrecht
The Problematic Nature of Periodization and the Alleged Paradigm Shifts: Courtly Love Poetry (Minnesang), Petrarch’s Sonnets, Goethe’s Erotic Compositions, and Brecht’s Dreams of Love [Volume 5, Issue 1, 2023, Pages 11-32]
D
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Dawood, Sama
English-Arabic Localization of Taglines on Food and Beverage Brand Websites: An Eco-Translatological Approach [Volume 5, Issue 1, 2023, Pages 169-182]
E
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ElBeheri, Nehad
Collaboration between Machine Translation and Human Translation for Higher Quality and More Production in Translation [Volume 1, Issue 1, 2019, Pages 446-473]
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El Diwany, Fatma
Collective (Un)Consciousness: A Magic Realist Reading of Carpentier’s The Kingdom of this World (1957) and Wa Thiong’o’s A Grain of Wheat (1967) [Volume 4, Issue 1, 2022, Pages 143-160]
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El Nahal, Shereen
Motivation of Code-switching by Arabic-English Bilinguals in Social Media Influencers’ Short Videos [Volume 5, Issue 1, 2023, Pages 150-165]
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Elnahhas, Amany
“We’re Holding our Ground”: Body Politics, Verbal/Non-Verbal Performance, and Dissent Aesthetics in Rafeef Ziadah’s Performance Poetry [Volume 2, Issue 1, 2020, Pages 82-100]
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El-Nahhas, Amany
At the Intersection of Journalism, Literature, and Blogging: Negotiating Resistance in Riverbend’s Baghdad Burning: Girl Blog from Iraq [Volume 3, Issue 1, 2021, Pages 11-28]
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El-Sawy, Amany
The Space Aesthetics of In-Yer-Face Theatre in Phyllis Nagy's The Strip [Volume 2, Issue 1, 2020, Pages 101-115]
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Elsherif, Ikram
Overshadowed by Neo-Orientalism: The Odyssey in Fadia Faqir’s Willow Trees Don’t Weep [Volume 3, Issue 1, 2021, Pages 29-46]
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El-Wahsh, Manar
A Cognitive Stylistic Approach to Humor in Norsemen: Mental Wellbeing in the Viking Age [Volume 3, Issue 1, 2021, Pages 127-139]
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El-Wahsh, Manar
A Cognitive Analysis of Persona in Atwood’s You Fit into Me: The Reader’s Shift from Love to Disgust [Volume 4, Issue 1, 2022, Pages 50-61]
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El-Wakil, Rania
Women Representation in Crisis Memes – Humour and Beyond: A Critical Discourse Analysis [Volume 4, Issue 1, 2022, Pages 100-124]
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Emara, Ingy Farouk
Representation of Gender Identity in Egyptian Students’ Graphic Adaptation of Chekhov’s “Anna on the Neck” – A Multimodal Discourse Analysis [Volume 5, Issue 1, 2023, Pages 111-132]
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Essam Eldin Fahmi, Marwa
Shaun Tan's The Red Tree (2001): A Visual Reading of A Postmodern Picturebook [Volume 1, Issue 1, 2019, Pages 139-160]
F
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F. Alghazi, Muhammad
Metanarrative Translating of Poetry: Striking the Balance between Meaning, Genre, and Language Musicality [Volume 1, Issue 1, 2019, Pages 429-445]
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Fam, Sylvia
Engaging the Senses to Make Sense: Performing Autoethnography in Selected Poems by Two Poet/Educators [Volume 1, Issue 1, 2019, Pages 121-138]
H
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Hashish, Nadia
Postmodern Conceptualization of Focalization, Temporality and Spatiality as Three Narrative Aspects in Darren Greer's Just Beneath My Skin (2014) [Volume 1, Issue 1, 2019, Pages 236-255]
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Hassan, Inas Hussein
Investigating Modality in Policy Texts: Corpus-assisted Critical Discourse Analysis of Modals in the 2030 Agenda for Sustainable Development [Volume 4, Issue 1, 2022, Pages 28-49]
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Helmy, Nader
Narrative Temporality and the Power to Change in Kate Atkinson's Life after Life [Volume 1, Issue 1, 2019, Pages 87-104]
I
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Ibrahim, Hala
Illness Narratives and Audience Engagement in Linda Park Fuller's A Clean Breast of It and Susan Miller's My Left Breast [Volume 2, Issue 1, 2020, Pages 22-39]
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Ibrahim, Hala
Victim and Victimizer: Silenced Narratives in Abdul Razaq Al-Rubai’s A Strange Bird on Our Roof (2013) (Ala Satehuna Ta’er Gherib) [Volume 4, Issue 1, 2022, Pages 161-175]
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Ibrahim Kamel, Amal
Narrative Strategies in Femi Osofisan’s Once Upon Four Robbers and Salah Abdel-Sabur’s Ba’d an Yamut al-Malik [Volume 1, Issue 1, 2019, Pages 161-179]
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Ismail, Alsayed
Toward an Intercultural Understanding between the Orient and the Occident: A Narrative Approach to Translating Jihād Concept into English [Volume 1, Issue 1, 2019, Pages 409-428]
K
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Kotait, Radwa M.
The Curious Case of “Translator’s Style”: What can Corpus Stylistics and Cognitive Poetics Tell us about the Mind Style of the Translator? [Volume 4, Issue 1, 2022, Pages 237-257]
M
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Mabrouk, Alia
Multimodality in Franz Kafka’s The Castle and its Movie by Konstantin Seliverstov: A Reading in the Light of Reception Theory [Volume 3, Issue 1, 2021, Pages 91-104]
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Mahfouz, Iman
A Multimodal Analysis of Gender Representation in “Men vs. Women Memes” [Volume 3, Issue 1, 2021, Pages 105-126]
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Mahmoud, Mahmoud Refaat Abdellah
The Trickster as Savior in Charles Johnson’s Middle Passage [Volume 6, Issue 1, 2023, Pages 24-39]
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Mahmoud Hassan Gad, Fadwa
Roz Chast’s Can’t We Talk about Something More Pleasant (2014) and Kawthar Younis’s “A Present from the Past” (2016) as Multimodal Narratives of Old Age [Volume 1, Issue 1, 2019, Pages 216-235]
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M. M. El Shokrofy, Ebtesam
Narrating Tarell Alvin McCraney's The Brother/ Sister Plays [Volume 1, Issue 1, 2019, Pages 180-199]
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Mohamed Rafik Khalil, Rania
An Examination of the Use and Production of Space in Brian Friel’s Translations (1980), Michel Tremblay’s Solemn Mass for a Full Moon in Summer (2009) and Emma Donoghue’s Room (2017) [Volume 1, Issue 1, 2019, Pages 256-272]
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Mohsen, Karima
Transcendence and Belief after Postmodernism: A Performatist Reading of Patrick Ness's A Monster Calls (2011) [Volume 5, Issue 1, 2023, Pages 78-92]
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Mostafa Ahmed Atta, Eman
Scars of Trauma: Duality of Signification in Edwidge Danticat's The Dew Breaker (2004) [Volume 1, Issue 1, 2019, Pages 200-215]
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Munib, Maha
The Cyborg Consciousness: Human Reality and Virtual Reality: A Close Reading of Karel Capek’s Play R.U.R (Rossum’s Universal Robots) A Fantastic Melodrama and an Epilogue [Volume 5, Issue 1, 2023, Pages 33-45]
N
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Nagi Sarhan, Nihal
Semantic Framing of JIHAD in the Holy Qur’an and Selected Web Narratives: A Contrastive Discourse Analytic Study [Volume 1, Issue 1, 2019, Pages 385-405]
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Nour El-Din, Olfat
Into the Feline Umwelt: An Exploration of Eliot and Shawqi’s ‘Mind-style’ Conceptualization of Cats [Volume 3, Issue 1, 2021, Pages 174-196]
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Nour El-Din, Olfat
Cartoons as Rhetorical Weaponry: A Multimodal Analysis of the Depiction of Corruption in Selected Egyptian and American Editorial Cartoons [Volume 4, Issue 1, 2022, Pages 80-99]
O
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Osama, Seham
Language Ideologies: Arabic and English from a Sociolinguistic Perspective [Volume 2, Issue 1, 2020, Pages 195-210]
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Othman, Ahlam Ahmed
Gendered Space in Seamus Heaney's Death of a Naturalist (1966) and Ahmed Abdel Muti Hijazi’s A Heartless City (1959): A Feminist Geo-Critical Approach [Volume 6, Issue 1, 2023, Pages 11-23]
S
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Sabry, Somaya
Muslim-Canadian Women’s Enunciations: Sofia Baig’s Performative Identities [Volume 3, Issue 1, 2021, Pages 76-88]
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Sabry, Somaya
Undermining the “Matrix of Domination”: Religion, Race and Gender and the Intersectionality Politics of Aliaa Sharrief’s “Hijabi” Hip-hop and Modest Fashion [Volume 4, Issue 1, 2022, Pages 221-234]
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Sarhan, Nihal
‘ItsMyDam’: Proximization and Framing Strategies in the Renaissance Dam Crisis Discourse: A Critical Cognitive Case Study [Volume 3, Issue 1, 2021, Pages 157-173]
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Seddik Al-Wahy, Ahmed
Lexical Variation in Arabic Phraseological Units Calqued from English: An Explanatory Approach [Volume 1, Issue 1, 2019, Pages 275-300]
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Shaarawy, Hanaa Youssef
Force Dynamics in Sadat’s Speech to the Knesset [Volume 4, Issue 1, 2022, Pages 13-27]
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Shalaby, Dina
Talking Back to the Empire of Science in Postcolonialism: The Autistic Poet Tito Mukhopadhyay as a Model [Volume 4, Issue 1, 2022, Pages 127-142]
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Shehatta, Sarah
Breaking Stereotypes: A Multimodal Analysis of the Representation of the Female Lead in the Animation Movie Brave [Volume 2, Issue 1, 2020, Pages 170-194]
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Sherif, Lubna A.
Reporting the Iraq War: A Corpus-Assisted Critical Stylistic Analysis of Selected English Translations of Iraq War Poetry [Volume 5, Issue 1, 2023, Pages 183-201]
W
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Wagih Abd Al-Halim, Amani
Perceiving the Worlds of Caryl Churchill Top Girls and Fatḥīyah El ʻAssāl Without Masks in Relation to Dramatic and Cinematic Techniques [Volume 1, Issue 1, 2019, Pages 64-86]
Y
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Youssef, Rania
Capitalist and De-Industrialized Identity: American “National” Allegory in John Updike’s The Centaur and Philipp Meyer’s American Rust [Volume 4, Issue 1, 2022, Pages 176-189]
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